The NEELĀ glaze at close range: cobalt deepening to turquoise in the throwing rings of a plate, flecked with iron, with a brown rim

How the pieces are made

How each plate, bowl and piece of cutlery is designed, made and inspected, described plainly, with what we are still confirming.

The NEELĀ glaze, close up. Concept visualisation.

Materials, stated plainly

We describe a material only when we can confirm it, and say so when we cannot yet.

  • A blue-glazed NEELĀ plate and two small bowls from above, each in its own navy velvet place
    The NEELĀ glaze. Concept visualisation.

    NEELĀ dinnerware

    Blue-glazed. The clay body, the glaze and the rim finish are confirmed at sampling, together with food-contact testing.

    View the NEELĀ dinner set
  • A gold-toned ĀBHĀ fork and spoon with black handles, resting in their black sleeves
    The ĀBHĀ finish. Concept visualisation.

    ĀBHĀ cutlery

    The metal, the gold-toned finish and the handle material are confirmed at sampling.

    View the ĀBHĀ cutlery set

What each set arrives in

  • Figured walnut at a corner of the chest, its dovetailed joint in close-up
    Walnut at the corner. Concept visualisation.

    The chest

    Walnut. Whether it is solid timber, veneer over a stable core or a combination of the two is being settled with our production sample. We will state it exactly before you commission.

  • A blank, brushed bronze-coloured plate on a walnut desk beside an engraving burin
    A plaque before engraving. Concept visualisation.

    The plaque

    Engraved bronze. The exact alloy is confirmed with the production sample.

  • Three lining samples overlapping on walnut: indigo velvet, walnut-brown suede and ivory linen
    The three linings. Concept visualisation.

    The linings

    Indigo velvet, walnut-brown suede and ivory linen are the options we are developing. Their exact materials are confirmed at sampling.

  • The front catch, a black pull and a gold-toned corner guard on a walnut chest
    A catch and a corner guard. Concept visualisation.

    The hardware

    Hinges, corners and handles are gold-toned. Their metal is confirmed with the production sample.

The close-ups above are concept visualisations.

Care guidance is published for each series once its pieces have been tested.

How we advise on care today

Designed around Bengali meals

We start from what is served, and how it reaches the table.

A Bengali meal is shared from the centre of the table. Rice comes first and stays. Fish wants a platter of its own. Bhorta arrives in small portions, several at once. Dal and jhol need bowls with some depth, and the meal ends with something sweet: mishti, payesh or doi.

So our compositions include serving pieces for each. In consultation we also ask about the size of your table, where the pieces will be stored, how many people you usually serve and how your household prefers to wash up. A collection should still be practical long after its first evening.

  1. Rice

    Rice serving bowl

    Rice or polao for the table

    About 26 cm across

  2. Fish

    Oval fish platter

    Ilish or rui, whole or in pieces

    About 36 cm long

  3. Curries and dal

    Two curry servers

    A deep bowl for curries, dal or korma

    About 20 cm across

  4. Bhorta

    Four bhorta dishes

    Aloo, begun or shutki bhorta

    About 12 × 9 cm

  5. Sweets

    Six dessert bowls

    Payesh, firni or mishti doi

    About 13 cm across

The serving pieces of our sample composition for six, drawn from above to one scale. Sizes are approximate until the production sample is measured.
Hands lifting a plate from a bath of cobalt glaze, the glaze running from its rim back into the bath
Glazing, as we intend it. Concept visualisation.

From drawing to table

The stages every collection passes through, with film of each as production begins.

Design
The pieces, the colour and the plaque are settled with you, and every approval is recorded in writing.
Sampling
A reference sample is made and approved before any set goes into production. Every later set is checked against it.
Making
We work with makers chosen for each material, and the pieces are made in batches against confirmed orders.
Finishing and engraving
Edges and glazes are checked against the sample, and the plaque is engraved with the text you approved on the proof.
Inspection
Every complete set is inspected before it is packed.
Packing
Each piece into its place, the chest into its cover, the cover into protective packaging.
Hands closing a dovetailed corner of a walnut chest with a wooden mallet, shavings and a chisel on the bench
Footage of the making will appear here as production begins. Concept visualisation.

Inspected against the sample

Every complete set is checked against an approved reference sample before it is packed.

A piece that falls short is not sent. We make it again.

What we check, set by set

  • The count of pieces against your proposal
  • The glaze colour and surface against the sample
  • Every rim and edge, for chips and roughness
  • The fit of each piece in its place in the chest
  • The spelling and layout of the engraving against your approved proof
  • The lid, the hinges and the drawers of the chest

Packed to travel

The chest travels inside its fabric cover and protective outer packaging.

The chest in a tailored ivory canvas cover tied with a navy band, on a marble console beside a carved wooden door and a brass bowl of jasmine
The chest in its fabric cover. Concept visualisation.
Hands lowering a cloth-wrapped blue plate into its velvet-lined place in the chest, among bowls and small dishes in their own places
Each piece into its place. Concept visualisation.

We deliver within Dhaka first, at a time agreed with you.

If anything arrives damaged, photograph it and tell us within 48 hours. Our intention is to replace any piece damaged in transit at no cost to you; the full terms will be published before we take any payment.

Production takes about 10–12 weeks from your approval of the proposal.

Delivery and cancellation

How it arrives

How you meet a BHOJ collection, from the outer packaging to the last piece.

  1. Protective outer packaging opens to a tailored fabric cover.

  2. Inside the cover, the walnut chest.

The walnut chest closed on a pale studio ground: a lid over three drawers, gold-toned corners and pull tabsThe chest opened: the lid raised over the top compartment and two drawers drawn out, every place lined in navy velvet
The chest closed, and opened. Concept visualisation.
  1. The lid lifts to show the engraved bronze plaque and your dedication letter.

    A sample plaque, with invented names. Before anything is engraved, we send you a proof of the exact spelling and layout to approve.

  2. The pieces rest in fitted places, with lifting tabs and drawers beneath.

  3. A story card opens the design film by NFC or QR, with a copy you can download.

    The story card opens a private page: the design film, your dedication, your edition certificate and the care guide. Hold your phone to the card, or scan its code. Only people with the card can see the page, and it is hidden from search engines. See an example of the private page.

  4. A named contact at BHOJ helps with care, and with anything after delivery.

The chest is meant to stay in use after the evening it arrives, as a place to keep the pieces or to display them.

Cookware, later

We will add cookware once its construction, heat performance and care have been proven.

A presentation chest cannot tell you how a pan cooks. Until our cookware has been tested, BHOJ makes dinnerware and cutlery only.

White-gloved hands holding a blue-glazed plate up to the window light, a second plate and a folded cloth on the table below

A private appointment

Ask us anything about the pieces, the materials or the making. Where we do not yet know, we will say so.

WhatsApp concierge
+880 1XXX-XXXXXX
Email
concierge@bhoj.example
Hours
Sat–Thu, 10:00–19:00 (Dhaka)
We reply
Within one working day

Concept visualisation.